Search: Starring Nick Frost

A rollicking, humorous rollercoaster ride with stunning set pieces.

That it succeeds is due to Cornish's lightness of touch and terrifically naturalistic performances from all the young people involved.

Feeling like watered-down Curtis, the jokes frequently fall flat and you keep waiting for the big laughs that we know he can deliver.

Having set a scene of intriguing grotesquery the plot falls victim of its own invention

Nick Frost's limited comedic talent cannot stretch to a faux South American dance devil with fire in his heels.

What comes across more than anything is how the American way dominates.

Frost said that when he wrote the film it took him a while to recognise that he was in horror territory, and indeed the film works equally well as a culture clash comedy.

Formulaic but exuberant, packed with quirky humour and very difficult not to like.

It's the same old sentimental tripe that gets rolled out again and again.

The plot stumbles into an abyss early. There is nothing left because there was nothing here in the first place

Though it's not on a par with Simon Pegg and Nick Frost's best work, it's hard to imagine anybody not enjoying it.

George Romero has stated that he loves this film. It's easy to see why.

A gripping, exhilarating rollick through a medieval wasteland.

Lowe’s approach is an exhiliarating, if sometimes a bit scrappy, mix of high and low brow.

While there are plenty of laughs, the film might be victim of a too-linear, too-literal and too-revealing trailer, and the impact of its funnier moments are dampened by familiarity.